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Hayley And The Crushers have released their zippy and vigorous new single, Unsubscribe, that is taken from their upcoming EP, Unsubscribe From The Underground, that is due out on September 10th via Kitten Robot Records. She says the song was written from the perspective of a music scene veteran who sees unfamiliar people come in and make changes. The band, comprised of married team Hayley Crusher Cain and bass player Dr. Cain ESQ, know a thing or two about new territory as they moved across the country to Detroit in 2022, enticed by the eclectic music scene, cheap cost of living and touring possibilities that the Midwest provided, although to keep their West Coast mentality in check they’ve kept a homebase in San Luis Obispo, California.
“Unsubscribe is directly connected to our feelings about creative expression and underground music scenes. Creative environments and communities are always fraught with this tension of new and old, reverence for the past and the courage to push forward. At some point, the bubble bursts and things start changing. Maybe that’s neither a good nor bad thing. But it’s always rich territory! We recorded half of our new songs in our lead guitarist’s Detroit basement and the other half at Josie Cotton’s beautiful LA Kitten Robot studio. I think that says a lot right there. In that way, they hold some grit and some glitz, never really teetering to one side more than the other. As a band, I think that’s where we feel most at home.” ” (frontwoman Hayley Cain)
Written and produced in transition from California to Detroit, Unsubscribe From The Underground follows the band’s 2022 album, Modern Adult Kicks and features a rawer sound than the band’s trademark sugar coated punk rock. On Unsubscribe From The Underground, there’s a deceptively nostalgic pop punk anthem (Alleyways), a pedal steel tinged 60’s girl group-inspired ballad (Blood Treasure), a rowdy yet thoughtful take on Millennial freedom of choice (Let Go) and capping off the EP is a gleefully unhewn cover of Juice Newton’s 1981 country hit Queen of Hearts.
Although Hayley came up in the punk rock world of Southern California backyard shows, the self-proclaimed “poolside glitter trash” band tends to gravitate towards sunshine and sparkle, even while investigating darkness and woe. Hayley says the vibe of the EP is an “ode to being true to yourself within any specific music or social scene” mentioning how existing as an individual bound by a particular subculture can be absurd, restrictive and funny at times. “I love the fact that these new sonic systems of categorization are breaking up and new artists are a lot more free to play with styles, buck the status quo and make their own weird genres. Rock and roll has been dead for a long time, and good riddance! We don’t need another rock band. The world won’t be saved by a bunch of cool dudes with guitars.”