The SoDa Poppers Drop New Single “Not Even In Your Wildest (Fuckin’) Dreams”
Johny Skullknuckles (The Kopek Millionaires / The Dead Beats / Goldblade) continues his musical adventures with The SoDa Poppers and their brand new…
Since forming in 2002, Philadelphia’s Paint It Black have rewritten the rules of hardcore punk with each new release. Across three full-length albums and three seven-inch EPs, the quartet have been crafting concise, incisive statements that meld hardcore’s fury with a nuanced lyrical perspective. On Famine, the band’s brand new length that is out today via Revelation Records, Paint It Black shows all sides of itself, returning as inspired, and inspiring, as they were a decade ago.
“It’s important to make things that are real, thoughtful, and not disposable. We don’t just put out a new record because it’s time to put out a new record. We put out a record when we’ve got something to say. We’re a hardcore punk band, and the most important thing, more than velocity or volume, is authenticity. I’m shooting for something real because I want to feel something real and I want to yell it in people’s faces. I want to stir something in people, and I want to make music that I had to stir something in myself to make.” (vocalist Dan Yemin)

Famine is the product of years of plotting, planning, and prepping, with the goal of making the most impactful statement possible. In many ways, Famine is a record about the blurring between history and mythology, especially as it pertains to the current moment in America. Similar to this exploratory lyrical approach, the music on Famine creates richer textures out of pieces rarely found on hardcore punk albums. Throughout the eight songs that make up Famine, Paint It Black proves that the most potent hardcore punk releases are ones that come from a space of vulnerability, honesty, and authenticity. It’s what makes each moment on Famine feel vibrant and vital, just like Paint It Black has always done.