Trap Girl Embrace “The Savage Goddess” On Debut Album

Trap Girl, a gritty and revolutionary force in the music scene, demands to be heard with their unapologetic blend of punk and hardcore influences. Formed in 2014 in Los Angeles by beehive hair, short dress and high heel-donned frontwoman Drew Arriola-Sands and drummer Jorge Reveles. After a few lineup changes, the band is sitting as strongly as ever with Jocelyn Aguilera on bass and Daniel Guzman on guitar. Where retro 60s meets original LA punks, the band has carved out a space for themselves with music that speaks to perseverance, personal agency, and defiance against societal norms.

Their debut album, The Savage Goddess, serves as a testament to resilience and perseverance. Recorded over an intensive five-day period, the album bursts with raw energy and fervor, exploring the dualities of life, from its beautiful moments to its darker struggles. With sounds similar to The Linda Lindas, Destroy Boys and an attitude reminiscent of films like Faster Pussycat Kill Kill. Each track on the album dives deep into themes of empowerment, societal resistance and personal identity. Trap Girl confronts societal boundaries head-on, offering a visceral journey that leaves an impression on listeners.

Songs like Baddest Bitch and Death Dress exemplify Trap Girl‘s ethos, offering anthems of strength, self-assertion, and defiance. The Savage Goddess is more than just music; it’s a manifesto of resilience and a call to arms. Trap Girl‘s commitment to authenticity and advocacy shines through in every note, showcasing the band’s evolution as artists and voices in today’s cultural landscape. The Savage Goddess not only showcases Trap Girl‘s musical evolution but also their commitment to advocacy and social justice.